Independent Collectors

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  • Accra
  • Alcúdia, Mallorca
  • Altnau
  • Alula
  • Amsterdam
  • Arbon
  • Arévalo
  • Athens
  • Avignon
  • Bakewell
  • Barcelona
  • Basel
  • Beijing
  • Belgrade
  • Berlin
  • Bologna
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  • Bowie
  • Bremen
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  • Brooklyn
  • Brumadinho
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  • Bruzella
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  • Deinste
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  • Derneburg
  • Deurle
  • Devon
  • Dhaka
  • Doha
  • Dubai
  • Duisberg
  • Dusseldorf
  • Eberdingen-Nussdorf
  • Edinburgh
  • Efringen-Kirchen
  • Eskişehir
  • Flassans-sur-Issole
  • Florence
  • Frankfurt
  • Franklin Lakes
  • Gaiole in Chianti
  • Gars am Kamp
  • Geel
  • Gentofte
  • Geyserville
  • Hamburg
  • Helsinki
  • Henningsvær
  • Herentals
  • Herford
  • Herzogenrath
  • Holstebro
  • Hong Kong
  • Houston
  • Ichikawa
  • Istanbul
  • Jevnaker
  • Kemzeke
  • Kiel
  • King's Lynn
  • Kirke Saaby
  • Knislinge
  • Kummerow
  • Lausanne
  • Le Muy
  • Lecce
  • Leipzig
  • Lisbon
  • London
  • Los Angeles
  • Lucca
  • Luxembourg City
  • Madrid
  • Mannheim
  • Mantova
  • Marines
  • Marseille
  • Melbourne
  • Mexico City
  • Miami
  • Milan
  • Munich
  • Mumbai
  • Munich
  • Nanjing
  • Naples
  • Neu Ulm
  • Neuhaus
  • Neumünster
  • Neuss
  • New Delhi
  • New York
  • Nicosia
  • Nigtevecht
  • Nijmegen
  • North Auckland
  • Oaks
  • Online
  • Oslo
  • Palmer
  • Paris
  • Pieria
  • Potsdam
  • Pound Ridge
  • Prague
  • Princeton
  • PROVINCE OF VICENZA
  • Queretaro
  • Rapperswil-Jona
  • Reading
  • Reggio Emilia
  • Reykjavík
  • Riehen
  • Riffa
  • Riga
  • Rotterdam
  • San Antonio
  • San Diego
  • Santa Fe
  • Santa Margherita Ligure
  • Santiago
  • São Paulo
  • Seoul
  • Shanghai
  • Sharjah
  • Silkeborg
  • Snells Beach
  • Soest
  • Sonoma
  • South Tyrol
  • St. Georgen
  • Steinhausen
  • Stockholm
  • Susch
  • Sydney
  • Tallinn
  • Tasmania
  • Tehran
  • Tel Aviv
  • Thalwil
  • The Hague
  • Timișoara
  • Tokyo
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  • Trento
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  • Venice
  • Verona
  • Veszprém
  • Videbæk
  • Vidigueira
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  • Waldenbuch
  • Warsaw
  • Wentorf bei Hamburg
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  • Whistler
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  • Bangladesh
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  • Greece
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  • India
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  • Metaverse
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  • Poland
  • Portugal
  • Qatar
  • Romania
  • Saudi Arabia
  • Scotland
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  • UNITED ARAB EMIRATES
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    Haus N

    The German collectors giving something back to the local art scene of Athens.

    THE CALLAS / LAKIS & ARIS IONAS, Kill Kiss Piss, 2008. Photo: Athanasios Gatos
    THE CALLAS / LAKIS & ARIS IONAS, Kill Kiss Piss, 2008. Photo: Athanasios Gatos

    After visiting Athens in 2017 for Documenta 14, Gunda and Peter Niemann decided that they too wanted to contribute something back to the historic city.

    ARBIT CITY, Paradise Paper No7 (When Fortune Frowns, Faith is Changed), 2018. Photo: Athanasios Gatos
    ARBIT CITY, Paradise Paper No7 (When Fortune Frowns, Faith is Changed), 2018. Photo: Athanasios Gatos
    THE CALLAS / LAKIS & ARIS IONAS, Kill Kiss Piss, 2008. Photo: Athanasios Gatos
    THE CALLAS / LAKIS & ARIS IONAS, Kill Kiss Piss, 2008. Photo: Athanasios Gatos
    PANOS PAPADOPOULOS, Balcony-night view, 2016-2017. Photo: Athanasios Gatos
    PANOS PAPADOPOULOS, Balcony-night view, 2016-2017. Photo: Athanasios Gatos
    DORA ECONOMOU, Sulfurs of Spring, 2018. Photo: Athanasios Gatos
    DORA ECONOMOU, Sulfurs of Spring, 2018. Photo: Athanasios Gatos
    (l–r) MARGARITA BOFILIOU, 8b: One after the other (Pseudo-platform), 2009; 33: Ryp (Pseudo-platform), 2008; 4b: Mos (Pseudo-platform), 2008; DORA ECONOMOU, Sulfurs of Spring 2018; SOCRATES FATOUROS, Thanks, 2018; SOFIA STEVI, , Entry phone, 2015; MANOLIS D. LEMOS, Tomorrow’s Corporate Love (Hebei Blinding Sun), 2018. Photo: Athanasios Gatos
    (l–r) MARGARITA BOFILIOU, 8b: One after the other (Pseudo-platform), 2009; 33: Ryp (Pseudo-platform), 2008; 4b: Mos (Pseudo-platform), 2008; DORA ECONOMOU, Sulfurs of Spring 2018; SOCRATES FATOUROS, Thanks, 2018; SOFIA STEVI, , Entry phone, 2015; MANOLIS D. LEMOS, Tomorrow’s Corporate Love (Hebei Blinding Sun), 2018. Photo: Athanasios Gatos
    (l–r) ILIAS PAPAILIAKIS, Night, summer of 1987, 2017-2018; HYPERCOMF, Enterprise chair#4, 2018. Photo: Athanasios Gatos
    (l–r) ILIAS PAPAILIAKIS, Night, summer of 1987, 2017-2018; HYPERCOMF, Enterprise chair#4, 2018. Photo: Athanasios Gatos
    HYPERCOMF, Enterprise chair#4, 2018. Photo: Athanasios Gatos
    HYPERCOMF, Enterprise chair#4, 2018. Photo: Athanasios Gatos
    (background) THE CALLAS / LAKIS & ARIS IONAS, Kill Kiss Piss, 2008; (front) MARGARITA BOFILIOU, 32: Pyor tana (Pseudo-platform), 2008; 34: Tyar po (Pseudo-platform), 2008. Photo: Athanasios Gatos
    (background) THE CALLAS / LAKIS & ARIS IONAS, Kill Kiss Piss, 2008; (front) MARGARITA BOFILIOU, 32: Pyor tana (Pseudo-platform), 2008; 34: Tyar po (Pseudo-platform), 2008. Photo: Athanasios Gatos
    (l–r) IRIS TOULIATOU, One or the other will disappear before this exhibition ends, 2018; The cement is just for weight, dear, 2012. Photo: Athanasios Gatos
    (l–r) IRIS TOULIATOU, One or the other will disappear before this exhibition ends, 2018; The cement is just for weight, dear, 2012. Photo: Athanasios Gatos
    SOFIA STEVI, Fabric work 1+2, 2018. Photo: Athanasios Gatos
    SOFIA STEVI, Fabric work 1+2, 2018. Photo: Athanasios Gatos
    MANOLIS D. LEMOS, Tomorrow’s Corporate Love (Hebei Blinding Sun), 2018. Photo: Athanasios Gatos
    MANOLIS D. LEMOS, Tomorrow’s Corporate Love (Hebei Blinding Sun), 2018. Photo: Athanasios Gatos
    MANOLIS D. LEMOS, Tomorrow’s Corporate Love (Hebei Blinding Sun), 2018. Photo: Athanasios Gatos
    MANOLIS D. LEMOS, Tomorrow’s Corporate Love (Hebei Blinding Sun), 2018. Photo: Athanasios Gatos
    MANOLIS D. LEMOS, Tomorrow’s Corporate Love (Hebei Blinding Sun), 2018. Photo: Athanasios Gatos
    MANOLIS D. LEMOS, Tomorrow’s Corporate Love (Hebei Blinding Sun), 2018. Photo: Athanasios Gatos
    MARGARITA BOFILIOU, 5b: Fisherman and mermaid (Pseudo-platform), 2009. Photo: Athanasios Gatos
    MARGARITA BOFILIOU, 5b: Fisherman and mermaid (Pseudo-platform), 2009. Photo: Athanasios Gatos
    SOCRATES FATOUROS, Thanks, 2018. Photo: Athanasios Gatos
    SOCRATES FATOUROS, Thanks, 2018. Photo: Athanasios Gatos
    DORA ECONOMOU. Photo: Athanasios Gatos
    DORA ECONOMOU. Photo: Athanasios Gatos
    CHARALAMBOS KOURKOULIS, Gabi, 2018. Photo: Athanasios Gatos
    CHARALAMBOS KOURKOULIS, Gabi, 2018. Photo: Athanasios Gatos
    SOCRATES FATOUROS, Einstein in the beach one two three four, 2018. Photo: Athanasios Gatos
    SOCRATES FATOUROS, Einstein in the beach one two three four, 2018. Photo: Athanasios Gatos
    ILIAS PAPAILIAKIS, Night, summer of 1987, 2017-2018. Photo: Athanasios Gatos
    ILIAS PAPAILIAKIS, Night, summer of 1987, 2017-2018. Photo: Athanasios Gatos
    (l–r) ARBIT CITY, Paradise Paper No7 (When Fortune Frowns, Faith is Changed), 2018; MARGARITA BOFILIOU, 30: Noo (Pseudo-platform), 2008; 2b: Sunset (Pseudo-platform), 2009; 1b: Runner (Pseudo-platform), 2009; 31: Pom (Pseudo-platform), 2008; 3b: I will not be terrified (Pseudo-platform), 2009. Photo: Athanasios Gatos
    (l–r) ARBIT CITY, Paradise Paper No7 (When Fortune Frowns, Faith is Changed), 2018; MARGARITA BOFILIOU, 30: Noo (Pseudo-platform), 2008; 2b: Sunset (Pseudo-platform), 2009; 1b: Runner (Pseudo-platform), 2009; 31: Pom (Pseudo-platform), 2008; 3b: I will not be terrified (Pseudo-platform), 2009. Photo: Athanasios Gatos
    (l–r) MARGARITA BOFILOU, 30: Noo (Pseudo-platform), 2008; 2b: Sunset (Pseudo-platform), 2009; 1b: Runner (Pseudo-platform), 2009; 31: Pom (Pseudo-platform), 2008; 3b: I will not be terrified (Pseudo-platform), 2009; CHARALAMBOS KOURKOULIS, Gabi, 2018; DORA ECONOMOU, Kawasaki’s Spiral Snail 2/6, 2017. Photo: Athanasios Gatos
    (l–r) MARGARITA BOFILOU, 30: Noo (Pseudo-platform), 2008; 2b: Sunset (Pseudo-platform), 2009; 1b: Runner (Pseudo-platform), 2009; 31: Pom (Pseudo-platform), 2008; 3b: I will not be terrified (Pseudo-platform), 2009; CHARALAMBOS KOURKOULIS, Gabi, 2018; DORA ECONOMOU, Kawasaki’s Spiral Snail 2/6, 2017. Photo: Athanasios Gatos
    SOFIA STEVI, Entry Phone, 2015. Photo: Athanasios Gatos
    SOFIA STEVI, Entry Phone, 2015. Photo: Athanasios Gatos
    SOCRATES FATOUROS, Einstein in the Beach One Two Three Four, 2018. Photo: Athanasios Gatos
    SOCRATES FATOUROS, Einstein in the Beach One Two Three Four, 2018. Photo: Athanasios Gatos

    Athens (8)

    Debunking the myths

    IC Director Nina Raftopoulo helps new collectors develop confidence.

    Neon

    Founded by collector Dimitris Daskalopoulos, Neon breaks with the conventional model of an art foundation.

    Dakis Joannou

    Art Territory’s Una Meistere meets Greek collector Dakis Joannou in his office in Athens.

    ARNDT Collection

    Tiffany Wood and Matthias Arndt aim to collect works that create disturbance

    The Frissiras Museum

    Greek collector Vlassis Frissiras explains how he became the proud owner of over 3500 contemporary paintings

    The Sotiris Felios Collection

    Thanks to Sotiris Felios, Greek art has traveled around the world

    Dimitris Daskalopoulos

    Arterritory's Una Meistere in conversation with the Greek collector Dimitris Daskalopoulos.

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