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Not Really Really

Removed from the material world and undergoing various transformations.

JEAN-FRANÇOIS BOCLÉ, Everything Must Go, 2001-2016

Curated together with Agata Jastrząbek, the exhibition presents a diverse selection of works created from functional objects and materials that have been stripped of their utility to propose alternate realities.

Shown during Art Brussels 2016 in a former mental health facility, the Frédéric de Goldschmidt Collection’s “Not Really Really” presented works and objects that were removed from the material world and undergoing various transformations to tackle a variety of subjects, including car water containers blown in Murano glass, fans mounted on Belgian beer bottles, dishes cast in concrete, flattened silverware suspended in the air, and salt blocks shaped by donkey tongues.

In addition to the seventy-one works in the collection, four artists, Joël Andrianomearisoa, Loup Sarion, Benoit Platéus and Jean-François Boclé, have been commissioned to create site-specific installations responding to the space and elaborating further on the exhibition concept.

Here, we share views inside “Not Really Really”.

(l–r)JUAN PABLO PLAZAS, La Rousse, 2015; AINDREAS SCHOLZ, Homesick (Cousins), 2015

(l–r) NICOLAS MOMEIN, Provendi Off-Series with Corine Louve, 2015; ANICETO EXPOSITO LOPEZ, Paradigme 2, 2012; ADRIANO COSTA, Three Heads - One is Mine, 2014

YANN VANDERME, Not Really Really a Museum (video still), 2016

(l–r)LOUP SARION, Do Not Lie to Me, 2016; NICOLAS MOMEIN, Incomplete Closed Cube Aliboron L'a Digéré, 2016; PAULO NIMER PJOTA, Oferenda, Paisagem E Guerra (Offering, Landscape and War), 2014

(front) LOUP SARION, Do Not Lie to Me, 2016; (l–r) JEAN-ALAIN CORRE, Psycho-Building; Johnny, épisode 9: Billie Jean, 2013; NICOLAS MOMEIN, Incomplete Closed Cube Aliboron L'a Digéré, 2016

JÉRÉMIE BOYARD, White and Pink Marble, 2016

KRISTOF KINTERA, I Am Sick of It All!, 2003

(l–r) JUAN PABLO PLAZAS, La Rousse, 2015; CAMILLE HENROT, Fiat Panda 1980-2003 ( from the series "Endangered Species")

BENOIT PLATÉUS, Jugs, 2016; NEIL HAAS, Paper David, 2014

(l–r) JOTA CASTRO, Jesus, 2016; NIKOLAS GAMBAROFF, Untitled (a pillar), 2012; ALESSANDRO PIANGAMORE, Un Petalo Viola Su Un Pavimento Di Cement, 2015

(front) NIKOLAS GAMBAROFF, Untitled (a pillar), 2012; (middle) NICOLAS KOZAKIS, La Malle, 1991; (back) JULIAN CHARRIÈRE, On The Sidewalk, 2014

(l–r) ROMUALD HAZOUME, ARMAN, Aspirant Chef, 2006; Forêt Industrielle -Directional/nihon Lines, 1978

(front) VALERIE SNOBECK, Reservoirs with Stains,, 2015; SERGIO VERASTEGUI, A Single Vertical Line, 2014; EVAN ROBERTS, Field No.12, 2015

JAN HENDERIKSE, 2003; OSCAR TUAZON, Hammer, 2014; HAYLEY A. SILVERMAN, Crude Currencies Singular (the real price of everything/what everything really costs/ to whom wants to acquire it/coin currencies (Chinese, Greek, Swedish, Canadian, Israeli, Russian,…), energy currencies (lumps of metal, rice, spices, bee pollen, berries), 2015; REIN DUFAIT, Untitled, 2014

FERTIL & TEIXDOR, Greetings from Fiji #1, 2014; Greetings from Fiji #2, 2014

AMANDA ROSS-HO, Blue Glove Right #2, 2014

HIWA K, My Father''s Color Periods, 2014

THEASTER GATES, Untitled 2011; TOM BURR, Sleeping Pills, 2012

Frédéric de Goldschmidt Collection is featured in the BMW ART GUIDE by INDEPENDENT COLLECTORS.

For more information visit Frédéric de Goldschmidt Collection.

Not Really Really

Removed from the material world and undergoing various transformations.

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