Independent Collectors

Polish Village

For the first time, the collection presents an exhibition entirely dedicated to the American artist Frank Stella.

FRANK STELLA, Felsztyn IV, 1971. Courtesy Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde
FRANK STELLA, Felsztyn IV, 1971. Courtesy Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde

For the first time, the collection presents an exhibition entirely dedicated to the American artist Frank Stella, showcasing works from the “Polish Village” series.

Frank Stella’s “Polish Village” highlights the artist’s interest in topics that are linked to the Holocaust and the Jewish people, whilst using an abstract vocabulary. Presenting the works in a minimalist style on the walls of the Charles Riva Collection, the pieces from “Polish Village” draw reference to painting and sculpture, whilst also noting the influence of the geometry of drawing, and interwoven decorative details from the façades of synagogues.

Here, the Charles Riva Collection and a number of private collections present the series “Polish Village” by Frank Stella.

FRANK STELLA, Rozdol I, 1973. Courtesy Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde
FRANK STELLA, Rozdol I, 1973. Courtesy Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde
FRANK STELLA, Lunna Wola II, 1973. Courtesy Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde
FRANK STELLA, Lunna Wola II, 1973. Courtesy Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde
FRANK STELLA, Felsztyn IV, 1971. Courtesy Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde
FRANK STELLA, Felsztyn IV, 1971. Courtesy Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde
FRANK STELLA, Lettre sur les sourds et muets II, 1974. Private collection MARIANNE BOESKY. Courtesy Marianne Boesky Gallery, New York and Aspen and Levy Gorvy Gallery, New York and London. © Hugard and Vanoverschelde. Photo: Hugard & Vanoverschelde
FRANK STELLA, Lettre sur les sourds et muets II, 1974. Private collection MARIANNE BOESKY. Courtesy Marianne Boesky Gallery, New York and Aspen and Levy Gorvy Gallery, New York and London. © Hugard and Vanoverschelde. Photo: Hugard & Vanoverschelde
(l–r) FRANK STELLA, Lunna Wola II, 1973; Narowla, 1972. Courtesy the artist and Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde
(l–r) FRANK STELLA, Lunna Wola II, 1973; Narowla, 1972. Courtesy the artist and Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde
FRANK STELLA, Rozdol I, 1973. Courtesy Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde
FRANK STELLA, Rozdol I, 1973. Courtesy Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde
FRANK STELLA, Felsztyn IV, 1971. Courtesy Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde
FRANK STELLA, Felsztyn IV, 1971. Courtesy Charles Riva Collection, Brussels. Photo: Hugard & Vanoverschelde
FRANK STELLA, Narowla, 1972. Photo: Hugard & Vanoverschelde
FRANK STELLA, Narowla, 1972. Photo: Hugard & Vanoverschelde

Read our interview with Charles Riva HERE.

The Charles Riva Collection is included in the Art Guide.

Brussels (19)

Vanhaerents Art Collection

Where the connection between building and collecting is more than metaphorical

Galila Barzilaï

Galila’s P.O.C presents itself as a contemporary curiosity cabinet.

AMEXICA @The Loft

The Family Servais Collection and The Loft present AMEXICA, an exhibition curated by Marisol Rodríguez

Sun Women

"Sun Women" presents seven artists brought together from external private collections in Riva's exhibition space.

Servais Family Collection – Dérapages & Post-Bruises Imaginaries

The current hang of works from the Servais Family Collection, curated by Dragos Olea, offers a juxtaposition of concern versus hope

The Apartment

Charming presentation of contemporary art in the heart of Brussels.

Christophe Veys

An interview with the collector who owns the “invisible collection”.

Animals

An exhibition detailing the representation of the animal in contemporary art.

Remembering Mwene Mutapa – Exotic Mapping of a Collection

The Brussels-based contemporary art collection marked by a non-Western focus.

Forever Young

The 2016 annual presentation organized by collector Alain Servais in his 900-square-meter loft in Brussels.

A from Animism, Atlas, Adrift[1]

A from Animism, Atlas, Adrift, Algorithmic, Apocryphal, Automatic, Ambiguous, Amnesia, Allegory, Above, Archive, Alien…

Human Figure

Creating a dialogue between contemporary sculptures and works from Oceanic Art

The Power and The Glory

Opening on the eve of the now infamous 2016 US elections, “The Power and The Glory” set out to examine the tension between an artist’s desire to shine and their desire to exist.

Not Really Really

Removed from the material world and undergoing various transformations.

Walter Vanhaerents

A Story About An Island

Many Suns & Worlds

The Brussels based Vanhaerents Art Collection is hosting the first solo exhibition of Argentinian artist Tomás Saraceno.

Break Out!

In 1966, Alighiero Boetti created a trio of sculptures titled “Zig Zag”, consisting of the fabric of a beach chair woven in inside an aluminium cube.

Warhol & Subsequent Effects

Located in a charmingly remodelled former industrial building in the Dansaert district in the heart of Brussels, the Walter Vanhaerents contemporary art collection is presented in biannual exhibitions on three floors.