Independent Collectors

JaeMyung Noh

Interview with the Korean collector who has been collecting art since high school

JaeMyung Noh & SoHyun Park © JaeMyung Noh
JaeMyung Noh & SoHyun Park © JaeMyung Noh

JaeMyung Noh, a 33 year old education entrepreneur, began collecting in his high school years (he was educated in USA) and since he got married to pianist SoHyun Park in 2018 in South Korea, their shared collection has expanded, which is now comprised of around 300 artworks (except edition works), with a focus on figurative works of paintings and sculptures by emerging and mid-career artists including David Altmejd, Megan Rooney, Patrick Eugene, Simon Fujiwara, Zandile Tshabalala, Stanislava Kovalcikova, Julien Ceccaldi, Austin Lee, Manuel Solano, and Mimosa Echard. Most of them are in their 20s – 40s and Noh also collects enthusiastically young and emerging Korean artists such as Nam Kim, Jiwon Choi, Xian Kim, Hyun Nahm, SeungEun Song and Yaerim Ryu.

(left) Exhibition view, collection’s viewing room in Seoul © JaeMyung Noh
(left) Exhibition view, collection’s viewing room in Seoul © JaeMyung Noh
Megan Rooney, Renter’s Paradise, 2019 ©JaeMyung Noh
Megan Rooney, Renter’s Paradise, 2019 ©JaeMyung Noh
Rafa Silvares, Naked cake, 2022 © JaeMyung Noh
Rafa Silvares, Naked cake, 2022 © JaeMyung Noh

To share their understanding of contemporary art, which focused on emerging artists, they decided in the recent year to open their collection to the public and found an exhibition space (viewing room) in a three-story building in the district of Shinchon, one of the dynamic districts in Seoul surrounded by universities.

Storage space of the collection with Simon Fujiwara’s It’s a Small World (Bank), 2019 © JaeMyung Noh
Storage space of the collection with Simon Fujiwara’s It’s a Small World (Bank), 2019 © JaeMyung Noh
Mimosa Echard, Everyday questions, 2022 (125.0 x 90.0 cm) © JaeMyung Noh
Mimosa Echard, Everyday questions, 2022 (125.0 x 90.0 cm) © JaeMyung Noh
Jiwon Choi, Stuck in the Blinds, 2022, oil on canvas (145.5 x 227.3 cm) © JaeMyung Noh
Jiwon Choi, Stuck in the Blinds, 2022, oil on canvas (145.5 x 227.3 cm) © JaeMyung Noh

The collection’s storage space is situated on the first floor of the building and a viewing room is on the second floor. This place is for exchanging passion for art and ideas with art people from all around the globe and a guided private tour was offered as a part of the VIP program during FRIEZE Seoul last year. Also, they host many groups from place to place; from museum/gallery directors to collectors from all over the world.

Collection’s viewing room in Seoul © JaeMyung Noh
Collection’s viewing room in Seoul © JaeMyung Noh
Collection’s viewing room in Seoul © JaeMyung Noh
Collection’s viewing room in Seoul © JaeMyung Noh
Jinhee Kim Turn on the Light, under the Dawn, 2023, Acrylic on canvas © JaeMyung Noh
Jinhee Kim Turn on the Light, under the Dawn, 2023, Acrylic on canvas © JaeMyung Noh

The collector couple travels around the world regularly to visit art fairs, galleries and museums and to meet collector friends. They find their passion as patrons in developing emerging artists and supporting and following their careers. The artworks enrich their lives and change their view of the world, which they are willing to pass on to their daughter.

Rebecca ACKROYD, Direct lines, 2019
Rebecca ACKROYD, Direct lines, 2019
Collection’s viewing room in Seoul © JaeMyung Noh
Collection’s viewing room in Seoul © JaeMyung Noh
(works from left) Tom Anholt, Broken Rock (after Unknown Persian Miniature), 2021 Zandile Tshabalala, where did she go, 2022 Otani Workshop, 寢鬼, 2016, Ceramic © JaeMyung Noh
(works from left) Tom Anholt, Broken Rock (after Unknown Persian Miniature), 2021 Zandile Tshabalala, where did she go, 2022 Otani Workshop, 寢鬼, 2016, Ceramic © JaeMyung Noh
Sun Woo, Baggage, 2022 (182 x 142 x 4 cm) © JaeMyung Noh
Sun Woo, Baggage, 2022 (182 x 142 x 4 cm) © JaeMyung Noh
Kim Xian, 정물216, 2022, Acrylic on canvas (117 × 80 cm) © JaeMyung Noh
Kim Xian, 정물216, 2022, Acrylic on canvas (117 × 80 cm) © JaeMyung Noh
David Douard, SLO’GROw’’compromise kick 4, 2024 (100 × 100 × 8 cm) © JaeMyung Noh
David Douard, SLO’GROw’’compromise kick 4, 2024 (100 × 100 × 8 cm) © JaeMyung Noh
Ryu Yaerim, Fragrance of You, 2021, Oil on panel (194 x 224 cm) © JaeMyung Noh
Ryu Yaerim, Fragrance of You, 2021, Oil on panel (194 x 224 cm) © JaeMyung Noh

Would you please share your recent acquisitions?

The most recent acquisition is a collage/mixed media work by Ruby Onyinyechi Amanze (b. 1982 in Port Harcourt, Nigeria; lives and works in Philadelphia). I have been following the artist for a while and finally met the right work at the right time for my collection. Ruby is a young, talented artist, but she has already been shown at great galleries/institutions and been collected by important parties, including the Studio Museum of Harlem, Brooklyn, USA and the National Museum of African Art, Smithsonian Institution, Washington DC, USA.

RUBY ONYINYECHI AMANZE THERE ISN'T A DAY WE WON'T FIND THE DANCE :: AUDRE + BIKES + POOL + ARCHITECTURE, 2023 INK, GRAPHITE, PHOTO TRANSFERS ON PAPER (182 X 197 cm) © JaeMyung Noh
RUBY ONYINYECHI AMANZE THERE ISN'T A DAY WE WON'T FIND THE DANCE :: AUDRE + BIKES + POOL + ARCHITECTURE, 2023 INK, GRAPHITE, PHOTO TRANSFERS ON PAPER (182 X 197 cm) © JaeMyung Noh

You recently launched your own art fair in Seoul, which was held in Seoul last Spring. Would you tell us about it?

The inaugural edition of the art fair ‚Art OnO‘ 2024 welcomed about 40 galleries from 15 countries, including Galerie Chantal Crousel, Esther Schipper, Gallery Baton, Peres Projects, Gallery 2 and Mariane Ibrahim. The majority of participants were art galleries in South Korea among the international galleries and it was a distinctive art fair without any divided sectors or sections that featured from blue-chip art to works of emerging artists and offered exclusive programs not available elsewhere, such as talks by experts from various fields, architecture, film, music and literature, as well as talks by private art collectors. And we also collaborated on a digital art platform Artue, which provided an immersive experience with AI-enhanced online viewing rooms. The debut of the fair, ‘Art OnO with a concept of Young and Fresh, but Classy‘ was a success.

JaeMyung Noh at the inaugural edition of the fair ‘Art OnO’ in Seoul © JaeMyung Noh
JaeMyung Noh at the inaugural edition of the fair ‘Art OnO’ in Seoul © JaeMyung Noh
Rooftop of the collection space in Seoul © JaeMyung Noh
Rooftop of the collection space in Seoul © JaeMyung Noh