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Not Really Really

Brussels  |  Belgium  | 

Not Really Really

Curated together with Agata Jastrząbek, the exhibition presents a diverse selection of works created from functional objects and materials that have been stripped of their utility to propose alternate realities.

Shown during Art Brussels 2016 in a former mental health facility, the Frédéric de Goldschmidt Collection’s “Not Really Really” presented works and objects that were removed from the material world and undergoing various transformations to tackle a variety of subjects, including car water containers blown in Murano glass, fans mounted on Belgian beer bottles, dishes cast in concrete, flattened silverware suspended in the air, and salt blocks shaped by donkey tongues.

In addition to the seventy-one works in the collection, four artists, Joël Andrianomearisoa, Loup Sarion, Benoit Platéus and Jean-François Boclé, have been commissioned to create site-specific installations responding to the space and elaborating further on the exhibition concept.

Here, we share views inside “Not Really Really”.

JEAN-FRANÇOIS BOCLÉ, Everything Must Go, 2001-2016
JEAN-FRANÇOIS BOCLÉ, Everything Must Go, 2001-2016
JEAN-FRANÇOIS BOCLÉ, Everything Must Go, 2001-2016
JEAN-FRANÇOIS BOCLÉ, Everything Must Go, 2001-2016
LOUP SARION, Do Not Lie To Me, 2016
LOUP SARION, Do Not Lie To Me, 2016
LOUP SARION, Do Not Lie To Me, 2016
LOUP SARION, Do Not Lie To Me, 2016
(l–r)JUAN PABLO PLAZAS, La Rousse, 2015; AINDREAS SCHOLZ, Homesick (Cousins), 2015
(l–r)JUAN PABLO PLAZAS, La Rousse, 2015; AINDREAS SCHOLZ, Homesick (Cousins), 2015
AINDREAS SCHOLZ, Homesick (Cousins), 2015
AINDREAS SCHOLZ, Homesick (Cousins), 2015
 (l–r) NICOLAS MOMEIN, Provendi Off-Series with Corine Louve, 2015; ANICETO
  EXPOSITO LOPEZ, Paradigme 2, 2012; ADRIANO COSTA, Three Heads - One is Mine, 2014
(l–r) NICOLAS MOMEIN, Provendi Off-Series with Corine Louve, 2015; ANICETO EXPOSITO LOPEZ, Paradigme 2, 2012; ADRIANO COSTA, Three Heads - One is Mine, 2014
YANN VANDERME, Not Really Really a Museum (video still), 2016
YANN VANDERME, Not Really Really a Museum (video still), 2016
YANN VANDERME, Not Really Really a Museum (video still), 2016
YANN VANDERME, Not Really Really a Museum (video still), 2016
CHRISTOPH WEBER,  Not Yet Titled, 2015
CHRISTOPH WEBER, Not Yet Titled, 2015
TULLY ARNOT, Bottle Song, 2013
TULLY ARNOT, Bottle Song, 2013
(l–r) NICOLAS MOMEIN, Provendi off-series with Corine Louvet, 2015; ANICETO EXPOSITO LOPEZ, Paradigme 2, 2012
(l–r) NICOLAS MOMEIN, Provendi off-series with Corine Louvet, 2015; ANICETO EXPOSITO LOPEZ, Paradigme 2, 2012
(l–r)LOUP SARION, Do Not Lie to Me, 2016; NICOLAS MOMEIN, Incomplete Closed Cube Aliboron L'a Digéré, 2016; PAULO NIMER PJOTA, Oferenda, Paisagem E Guerra (Offering, Landscape and War), 2014
(l–r)LOUP SARION, Do Not Lie to Me, 2016; NICOLAS MOMEIN, Incomplete Closed Cube Aliboron L'a Digéré, 2016; PAULO NIMER PJOTA, Oferenda, Paisagem E Guerra (Offering, Landscape and War), 2014
(front) LOUP SARION, Do Not Lie to Me, 2016; (l–r) JEAN-ALAIN CORRE, Psycho-Building; Johnny, épisode 9: Billie Jean, 2013; NICOLAS MOMEIN, Incomplete Closed Cube Aliboron L'a Digéré, 2016
(front) LOUP SARION, Do Not Lie to Me, 2016; (l–r) JEAN-ALAIN CORRE, Psycho-Building; Johnny, épisode 9: Billie Jean, 2013; NICOLAS MOMEIN, Incomplete Closed Cube Aliboron L'a Digéré, 2016
JÉRÉMIE BOYARD, White and Pink Marble, 2016
JÉRÉMIE BOYARD, White and Pink Marble, 2016
KRISTOF KINTERA, I Am Sick of It All!, 2003
KRISTOF KINTERA, I Am Sick of It All!, 2003
JEAN-ALAIN CORRE, 2016
JEAN-ALAIN CORRE, 2016
(l–r) JUAN PABLO PLAZAS, La Rousse, 2015; CAMILLE HENROT, Fiat Panda 1980-2003 ( from the series
(l–r) JUAN PABLO PLAZAS, La Rousse, 2015; CAMILLE HENROT, Fiat Panda 1980-2003 ( from the series "Endangered Species")
LOUP SARION, Do Not Lie to Me, 2016
LOUP SARION, Do Not Lie to Me, 2016
MICHEL FRANÇOIS, Untitled, 2012
MICHEL FRANÇOIS, Untitled, 2012
(l–r) JOTA CASTRO, Jesus, 2016; NIKOLAS GAMBAROFF, Untitled (a pillar), 2012; ALESSANDRO PIANGAMORE, Un Petalo Viola Su Un Pavimento Di Cement, 2015
(l–r) JOTA CASTRO, Jesus, 2016; NIKOLAS GAMBAROFF, Untitled (a pillar), 2012; ALESSANDRO PIANGAMORE, Un Petalo Viola Su Un Pavimento Di Cement, 2015
(front) NIKOLAS GAMBAROFF, Untitled (a pillar), 2012; (middle) NICOLAS KOZAKIS, La Malle, 1991; (back) JULIAN CHARRIÈRE, On The Sidewalk, 2014
(front) NIKOLAS GAMBAROFF, Untitled (a pillar), 2012; (middle) NICOLAS KOZAKIS, La Malle, 1991; (back) JULIAN CHARRIÈRE, On The Sidewalk, 2014
(l–r) ROMUALD HAZOUME, ARMAN, Aspirant Chef, 2006; Forêt Industrielle -Directional/nihon Lines, 1978
(l–r) ROMUALD HAZOUME, ARMAN, Aspirant Chef, 2006; Forêt Industrielle -Directional/nihon Lines, 1978
(front) VALERIE SNOBECK, Reservoirs with Stains,, 2015; SERGIO VERASTEGUI, A Single Vertical Line, 2014; EVAN ROBERTS, Field No.12, 2015
(front) VALERIE SNOBECK, Reservoirs with Stains,, 2015; SERGIO VERASTEGUI, A Single Vertical Line, 2014; EVAN ROBERTS, Field No.12, 2015
HIWA K, My Father''s Color Periods, 2014
HIWA K, My Father''s Color Periods, 2014
FERTIL & TEIXDOR, Greetings from Fiji #1, 2014; Greetings from Fiji #2, 2014
FERTIL & TEIXDOR, Greetings from Fiji #1, 2014; Greetings from Fiji #2, 2014
JAN HENDERIKSE, 2003; OSCAR TUAZON, Hammer, 2014; HAYLEY A. SILVERMAN, Crude Currencies Singular (the real price of everything/what everything really costs/ to whom wants to acquire it/coin currencies (Chinese, Greek, Swedish,
  Canadian, Israeli, Russian,…), energy currencies (lumps of metal, rice, spices, bee pollen, berries), 2015; REIN DUFAIT, Untitled, 2014
JAN HENDERIKSE, 2003; OSCAR TUAZON, Hammer, 2014; HAYLEY A. SILVERMAN, Crude Currencies Singular (the real price of everything/what everything really costs/ to whom wants to acquire it/coin currencies (Chinese, Greek, Swedish, Canadian, Israeli, Russian,…), energy currencies (lumps of metal, rice, spices, bee pollen, berries), 2015; REIN DUFAIT, Untitled, 2014
AMANDA ROSS-HO, Blue Glove Right #2, 2014
AMANDA ROSS-HO, Blue Glove Right #2, 2014
BENOIT PLATÉUS,  Jugs, 2016; NEIL HAAS, Paper David, 2014
BENOIT PLATÉUS, Jugs, 2016; NEIL HAAS, Paper David, 2014
THEASTER GATES, Untitled 2011; TOM BURR, Sleeping Pills, 2012
THEASTER GATES, Untitled 2011; TOM BURR, Sleeping Pills, 2012

For those who missed “Not Really Really” last year, it will be partially open from Wednesday 8th March 2017 to Saturday 11th March 2017 for a special occasion – twenty Brussels-based organizations working in the field of mental health have asked their clients to create art works inspired by pieces from the exhibition. Their works will be shown next to the original work.