Independent Collectors

The Roberts Institute of Art

Supporting contemporary artists through residencies, exhibitions and collaborations, and sharing the David and Indrė Roberts Collection with the public.

Doris Salcedo, 'Atrabiliarios', 1996. Courtesy the David and Indrė Roberts Collection. © The Artist. Photography: Jason Hynes
Doris Salcedo, 'Atrabiliarios', 1996. Courtesy the David and Indrė Roberts Collection. © The Artist. Photography: Jason Hynes

The Roberts Institute of Art (RIA) is a non-profit organisation that supports contemporary art through an artist residency programme in Scotland and by sharing works from the David and Indrė Roberts Collection through exhibitions and collaborations. Founded in 2007 as the David Roberts Art Foundation and re-launched as the Roberts Institute of Art in 2021, the organisation’s work spans nearly 20 years of ambitious and experimental programming across solo and group exhibitions, live performance commissions and events. The collection has been evolving since the early 1990s and has grown into one of the UK’s most significant private holdings of modern and contemporary art, comprising close to 2,500 works by over 900 artists from the mid-20th century to today.

Installation view of Deep Horizons at MIMA in partnership with the Roberts Institute of Art, 2023. Photography: Jason Hynes
Installation view of Deep Horizons at MIMA in partnership with the Roberts Institute of Art, 2023. Photography: Jason Hynes
Man Ray, 'Le Gant Perdu (The Lost Glove)', 1967-1968. Courtesy the David and Indrė Roberts Collection. © Man Ray Trust
Man Ray, 'Le Gant Perdu (The Lost Glove)', 1967-1968. Courtesy the David and Indrė Roberts Collection. © Man Ray Trust
Isa Genzken, 'Weltempfänger (World Receiver)', 2015. Courtesy the David and Indrė Roberts Collection. © The Artist. Photography: Jens Ziehe
Isa Genzken, 'Weltempfänger (World Receiver)', 2015. Courtesy the David and Indrė Roberts Collection. © The Artist. Photography: Jens Ziehe
Installation view of Deep Horizons at MIMA in partnership with the Roberts Institute of Art, 2023. Photography: Jason Hynes Installation
Installation view of Deep Horizons at MIMA in partnership with the Roberts Institute of Art, 2023. Photography: Jason Hynes Installation
Installation view of Immortal Apples, Eternal Eggs at Hastings Contemporary in partnership with the Roberts Institute of Art and the Ingram Collection, 2024. Photography: Chip Creative
Installation view of Immortal Apples, Eternal Eggs at Hastings Contemporary in partnership with the Roberts Institute of Art and the Ingram Collection, 2024. Photography: Chip Creative

“I believe there are certain people in the world who just have to collect things. I do not come from an art background at all. Meeting artists and meeting curators and engaging with them has been as educational as reading a lot of books. You meet a couple of artists, and they introduce you to their friends and their artists. And then you meet the gallery. It's a snowball thing. It was part of my journey.” — David Roberts

Jeppe Hein, 'Modified Social Benches', 2005. Courtesy the David and Indrė Roberts Collection. Photography: Paul Maguire
Jeppe Hein, 'Modified Social Benches', 2005. Courtesy the David and Indrė Roberts Collection. Photography: Paul Maguire
Helen Chadwick, 'Piss Flowers', 1991- 1992 (2006). Courtesy the David and Indrė Roberts Collection. Photography: Paul Maguire
Helen Chadwick, 'Piss Flowers', 1991- 1992 (2006). Courtesy the David and Indrė Roberts Collection. Photography: Paul Maguire

From the outset the collection has championed artists at every stage of their career and spans sculpture, painting, photography, drawing, video and installation. Alongside established names such as Louise Bourgeois, Cindy Sherman, Mark Bradford and Mona Hatoum, there is a particular emphasis on early-career and emerging voices, including Daisy Parris, Francesca Mollett and Gabriella Boyd — all of whom have also taken part in RIA’s artist residency programme.

RIA aims to share the collection as widely as possible and to offer opportunities to support artists and arts organisations. Across the UK, RIA has presented and co-curated a series of in-depth collection exhibitions with partners including Hastings Contemporary, the Courtauld in London, the Middlesbrough Institute of Modern Art and The Hunterian in Glasgow. Since 2021, RIA has welcomed over 130,000 visitors through its collection partnership programme.

Frank Auerbach, 'Head of Jake II', 2014. Courtesy the David and Indrė Roberts Collection. © The Estate of Frank Auerbach
Frank Auerbach, 'Head of Jake II', 2014. Courtesy the David and Indrė Roberts Collection. © The Estate of Frank Auerbach
Flora Yukhnovich, 'In the Pink', 2018. Courtesy the David and Indrė Roberts Collection. © The Artist
Flora Yukhnovich, 'In the Pink', 2018. Courtesy the David and Indrė Roberts Collection. © The Artist
Magdalena Abakanowicz, 'Sisal Natural', 1974-75. Courtesy the David and Indrė Roberts Collection. © The Marta Magdalena Abakanowicz Kosmowska and Jan Kosmowski Foundation, Warsaw, Poland. Photography: Jo Hounsome
Magdalena Abakanowicz, 'Sisal Natural', 1974-75. Courtesy the David and Indrė Roberts Collection. © The Marta Magdalena Abakanowicz Kosmowska and Jan Kosmowski Foundation, Warsaw, Poland. Photography: Jo Hounsome
Anthony Cudahy, 'Arthur Russell on the Shore', 2023. Courtesy the David and Indrė Roberts Collection, the Artist and GRIMM. © The Artist. Photography: JSP Art Photography
Anthony Cudahy, 'Arthur Russell on the Shore', 2023. Courtesy the David and Indrė Roberts Collection, the Artist and GRIMM. © The Artist. Photography: JSP Art Photography
Louise Bourgeois, 'Untitled', 2001. Courtesy the David and Indrė Roberts Collection. © The Easton Foundation / DACS, London
Louise Bourgeois, 'Untitled', 2001. Courtesy the David and Indrė Roberts Collection. © The Easton Foundation / DACS, London
Louise Giovanelli, 'Offer', 2022. Courtesy the David and Indrė Roberts Collection, the Artist and GRIMM. © The Artist. Photography: Jonathan de Waart
Louise Giovanelli, 'Offer', 2022. Courtesy the David and Indrė Roberts Collection, the Artist and GRIMM. © The Artist. Photography: Jonathan de Waart
Oliver Osborne, 'The Winter Queen (or why disappointment is worse than anger)', 2021. Courtesy the David and Indrė Roberts Collection and Tanya Leighton. © The Artist. Photography: Gunter Lepkowski
Oliver Osborne, 'The Winter Queen (or why disappointment is worse than anger)', 2021. Courtesy the David and Indrė Roberts Collection and Tanya Leighton. © The Artist. Photography: Gunter Lepkowski
Jem Perucchini, 'Ermete Trismegisto', 2023. Courtesy the David and Indrė Roberts Collection and Corvi-Mora, London. © The Artist
Jem Perucchini, 'Ermete Trismegisto', 2023. Courtesy the David and Indrė Roberts Collection and Corvi-Mora, London. © The Artist
Elinor Stanley, 'Long Parting', 2024. Courtesy the David and Indrė Roberts Collection and GRIMM. © The Artist
Elinor Stanley, 'Long Parting', 2024. Courtesy the David and Indrė Roberts Collection and GRIMM. © The Artist
Caroline Walker, 'Street Eats', 2025. Courtesy the David and Indrė Roberts Collection and GRIMM. © The Artist. Photography: Isla Macer Law
Caroline Walker, 'Street Eats', 2025. Courtesy the David and Indrė Roberts Collection and GRIMM. © The Artist. Photography: Isla Macer Law

Through its active lending programme works are made available to museums and institutions in the UK and internationally. From 2021 to 2025, over 300 works were loaned to more than 50 institutions worldwide, including to the Yale Center for British Art, Connecticut, the Gallery of Modern Art in Brisbane, the Museo Reina Sofia in Madrid, the National Museum of Contemporary Art in Athens and the Museum für Moderne Kunst in Frankfurt. RIA aims to be responsive to loan requests and to facilitate research enquiries from curators and cultural organisations. Collection works have also travelled widely to major UK venues including the Hayward Gallery, Tate Britain and the National Portrait Gallery in London, Turner Contemporary in Margate, the Sainsbury Centre for Visual Arts in Norwich and the National Galleries Scotland in Edinburgh.

Cindy Sherman, 'Untitled #466', 2008 (right). Installation view of Cindy Sherman at National Portrait Gallery, London, 2019. Artwork courtesy the David and Indrė Roberts Collection. Image © National Portrait Gallery
Cindy Sherman, 'Untitled #466', 2008 (right). Installation view of Cindy Sherman at National Portrait Gallery, London, 2019. Artwork courtesy the David and Indrė Roberts Collection. Image © National Portrait Gallery
Berlinde De Bruyckere, 'Lost I', 2006. Installation view of Berlinde De Bruyckere. Khorós at Bozar, Brussels, 2025. Artwork courtesy the David and Indrė Roberts Collection. Photography: Mirjam Devriendt
Berlinde De Bruyckere, 'Lost I', 2006. Installation view of Berlinde De Bruyckere. Khorós at Bozar, Brussels, 2025. Artwork courtesy the David and Indrė Roberts Collection. Photography: Mirjam Devriendt
Berlinde De Bruyckere, 'Schmerzensmann I', 2006 (front left). Installation view at KMSKA, Antwerp, 2022. Artwork courtesy the David and Indrė Roberts Collection. Image © KMSKA
Berlinde De Bruyckere, 'Schmerzensmann I', 2006 (front left). Installation view at KMSKA, Antwerp, 2022. Artwork courtesy the David and Indrė Roberts Collection. Image © KMSKA
Hew Locke,'Veni, Vidi, Vici (Queen's coat of arms)', 2004. Installation view of Hew Locke: Passages at the Yale Center for British Art, 2025. Artwork courtesy the David and Indrė Roberts Collection. Image © Yale Center for British Art
Hew Locke,'Veni, Vidi, Vici (Queen's coat of arms)', 2004. Installation view of Hew Locke: Passages at the Yale Center for British Art, 2025. Artwork courtesy the David and Indrė Roberts Collection. Image © Yale Center for British Art

The RIA Residency programme was launched in 2022 in rural Scotland to offer support for contemporary artists. Artists have a dedicated studio space for making but without the pressure to produce finished work and have the opportunity to develop their practice through time and space for research, experimentation and through RIA’s creative network. The residency has welcomed UK and international artists from different stages of their career including Miroslaw Balka, Jesse Wine, Monica Sosnowska and Clare Woods.

This place is very special — the landscape, the studio, the environment and the quietness. There are no expectations from me. And that's incredibly freeing.
— Clare Woods, RIA Resident June 2025“

More Information on The Roberts Institute of Art

UK (25)

Mark Hicks Collection

The collection grown from a curiosity of editions from the streets.

Known Unknowns

A peek inside the exhibition that looks at the status of an artist in the mainstream art world.

Irmina Nazar & Artur Trawinski

The Polish collectors raising awareness on Eastern European Art.

Niloufar Bakhtiar Bakhtiari

In collaboration with Marina Ribera Iñigo, director and consultant at IñigoArt, we present the new video series "Collectors at Home".

You Are Looking at Something That Never Occurred

London’s Zabludowicz Collection showcases their recent presentation of the collection featuring works by Sara Cwynar, Elad Lassry, Natalie Czech, Richard Prince and Cindy Sherman.

Luigi Mazzoleni

Interview about how it was to grow up with collector parents.

Chatsworth House

It is rare that a contemporary art space lives up to the rhetoric of sustainability and uniqueness that frequently appears in press releases and profiles, but Chatsworth House, situated by the River Derwent in Derbyshire, is truly a special place.

Newport Street Gallery

The Newport Street Gallery is not easy to find, but then hard to miss: it takes over almost a whole street.

Franks-Suss Collection

Initially focused on China, collectors Simon Franks and Robert Suss soon widened their purview

Houghton Hall – King’s Lynn

Lavish 18th century interiors juxtaposed with contemporary outdoor sculpture

Anita Zabludowicz

An interview with the London-based collector who places young positions at the centre of her collection

Valeria Napoleone

The Italian-born collector actively seeks out under­represented positions and therefore only acquires works by women artists.

The Needle and the Larynx

We are proud to present “The Needle and the Larynx” (2016) by Marianna Simnett, as our 13th selection for AT HOME WITH IC.

When I’ll Die, I Want To Turn Into Marble

We are pleased to welcome Marine Tanguy to IC, as an ambitious, philanthropic art world woman, creating her own systems to get business done.

Hot With Excess

With a dynamic and experimental season of live events, “Hot With Excess” explores the collision of contemporary art and opera.

Jupiter Artland Summer Programme 2016

Highlights from the 2016 summer programme of Edinburgh’s award-winning sculpture park, Jupiter Artland.

Feminist Spirituality With Shana Moulton

The Zabludowicz Collection presents the immersive and off-kilter solo exhibition by American artist Shana Moulton.

The David Bowie Collection

After the auction house Sotheby’s unveiled Bowie’s art collection to the public the title “art collector” is another one long overdue.

The Radical Eye

Modernist Photography from the Sir Elton John Collection.

Jupiter Artland Spring Programme 2016

Highlights from the 2016 spring programme of Edinburgh’s award-winning sculpture park, Jupiter Artland.

Emotional Supply Chains

The construction of identity in the digital age.

Zabludowicz – 20 Years of Collecting

Anita Zabludowicz first began collecting in 1994. The collection initially featured artists such as Michael Landy, Keith Tyson, Gillian Wearing as well as others from the 1990s YBA generation when they were still at the beginning of their careers.

Cranford Collection

One of Europe’s Most Important Collections with Renowned Contemporaries in Regent’s Park – London